#DateMe: an experiment that is okCupid Comic Aim at Internet Dating Customs


#DateMe: an experiment that is okCupid Comic Aim at Internet Dating Customs

Robyn Lynne Norris’s free-form satire makes its premiere that is off-Broadway at Westside Theatre.

Go on it from a veteran: on the web suuuuucks that are dating. Yes, apps like OkCupid, Tinder, and Hinge reduce regarding the awkwardness that accompany approaching prospective love passions in individual and achieving to discern another person’s singlehood when you look at the place that is first. But placing apart the truth that perhaps the many algorithm that is complexn’t constantly anticipate in-person chemistry, forcing potential daters to boil on their own right down to a self-summary leads people to not merely placed across an idealized form of by themselves for general public usage, but in addition encourages visitors to latch on the many surface-level aspects to quickly see whether someone’s worth pursuing romantically. For ladies especially, internet dating could even be dangerous, making them available to harassment or even even even even worse from toxic males whom feel emboldened because of the privacy of this Web.

Yet, online dating sites remains popular, hence rendering it a target ripe for satire. Enter #DateMe: An OkCupid Test. Conceived by Robyn Lynne Norris, whom cowrote the show with Bob Ladewig and Frank Caeti, and situated in component on her behalf very very own experiences, the job is simply a sketch-comedy that is extended, featuring musical figures, improvisatory sections with market involvement, and interactive elements (the show possesses its own OkCupid-like application that everybody is encouraged to install and create pages on ahead of the show). Rather than a plot, there is a character arc of types: Robyn (played in this premiere that is off-Broadway Kaitlyn Black), finding by by by herself forced to try OkCupid the very first time, chooses to see just what is most effective regarding the software by producing 38 fake pages. If that appears overzealous, a few of her guidelines — including never ever fulfilling some of the individuals she converses with online — declare that this experiment that is so-called been made to fail through the outset. The cynicism and despair underlying Robyn’s overelaborate ruse is sporadically recognized through the show, with components of pathos associated with tips of the troubled romantic past and recommendations that she’s got difficulty making deep connections with individuals as a whole peeking through the laughs.

When it comes to part that is most, however, #DateMe is content to keep a frothy tone while doling down its insights

Robyn’s findings of seeing most of the exact exact same expressions and character faculties on pages result in faux-educational sections when the remaining portion of the eight-member cast, donning white lab coats (Vanessa Leuck designed the colorfully diverse costumes), break people on to groups. Perhaps the creepiest of communications Robyn gets on OkCupid are turned into cathartically amusing songs (published by Sam Davis, with words by Norris, Caeti, Ladewig, and Amanda Blake Davis). If such a thing, the two improvisatory segments — one in that your performers speculate how a very first date between two solitary market users would get centered on their pages and reactions with their concerns, one other a dramatization of a gathering user’s worst first date — turn into the comic features of this show (or at the very least, these people were in the performance we went to).

It surely assists that the cast — which, along with connecting singles Ebony, includes Chris Alvarado, Jonathan Gregg, Eric Lockley, Megan Sikora, Liz Wisan, Jillian Gottlieb, and Jonathan Wagner — are highly spirited and game. Lorin Latarro emphasizes a feeling of playfulness in her own way and choreography, specially with a collection, created by David L. Arsenault, that mixes the aesthetic of living spaces and game programs; and projections by Sam Hains that infuse the show utilizing the appropriate sense of multimedia overload.

#DateMe is really so entertaining when you look at the minute that just do you realize afterward exactly exactly exactly exactly how shallow its view of online dating sites in fact is. Today for this viewer at least, it was disappointing to notice the show’s blind spot when it comes to race and how discrimination still plays out on dating apps. As well as on a wider degree, the show does not link the increase of dating apps into the predominance of social media marketing most importantly, motivating a change more toward immediate satisfaction than in-depth connection. Similar to for the very very first dates dating apps will likely give you on, #DateMe: An OkCupid test provides a completely enjoyable periods without making you with much to remember after it is over.